2DArtist Issue 061 January 2011 issue 61 - download pdf or read online

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As I’ve already painted the base of the hair, I can instantly concentrate on getting some more detail into it. The easiest way to go about doing that is using a speckled brush with Opacity and Flow set to Pen Pressure, and Size Jitter switched off. 16a). 16b). The I just keep at it, working on finer and finer Once that is done, I can look at the skin texture. layers get merged quite frequently and new sections of the area I selected to refine, This is the really fun part, because the effect ones added, but that’s just how I work.

06a – 06b). com page 53 Issue 061 January 2011 Chapter 03: Female Portraiture Having pulled the face off the canvas a little brush (my favorite rectangular one) adds instant depending on what gives me the best results. 07). As I want to see what the whole image would in the background. More often than not with look like if adjusted, I duplicate and flatten it, portraits, they don’t need elaborate background Before I continue refining the details of the then do some test adjustments. Once I like one, scenes.

For me, composition is something very organic and with practice it becomes more intuitive. As a self-taught artist I use my intuition and natural observations, and bring them into my work. I start my images with basic principles like having my image framed, having objects point at my focal point and using contrast for the payoffs, and along the way I gather a few more tricks and methods that make me want to explore composition beyond the usual rules. 12 – 13). I hope you have enjoyed reading this.

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2DArtist Issue 061 January 2011 issue 61 by 3DTotal.com


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